“Ahmed Morsi in New York: Elegy of the Sea”, at the Institute of Contemporary Art, Miami. Dec 5, 2023 - Apr 28, 2024, Curated by Donna Honarpisheh. Photographs by Zachary Balber.
“New Images of Man”, curated by Alison M. Gingeras, Blum & Poe, Los Angeles, 2020 Courtesy of the artists or Estates and Blum & Poe, Los Angeles/New York/Tokyo
Photo: Makenzie Goodman
“A Dialogic Imagination”, at Sharjah Art Museum, 2017. Curated by Hoor Al Qasimi and Salah Hassan. Photographs by Sharjah Art Museum
“Alexandria: Past Futures”, at MuCEM, Marseilles, France. Curated by Edwin Nasr and Sarah Rifky. Photographs by MuCEM
“Being as Communion”, the main exhibition of the 8th Thessaloniki Biennale of Contemporary Art. March 4 - May 21, 2024. Curated by Maria-Thalia Carras. Photograph curtsey of the Biennale.
“Greater New York 2021”, MoMA PS1, Oct 7, 2021 - Apr 18, 2022. Organized by a curatorial team led by Ruba Katrib, with Serubiri Moses, Kate Fowle, Ines Katzenstein, and Patricia Phelps de Cisneros.
“Ahmed Morsi: Detail from a Mural”, Salon 94, 2021. Curated by Alison Gingeras. Photograph curtesy of Salon 94.
“In the Heart of Another Country”, Diechtorhallen Hamburg, 2022. Curated by Omar Kholeif. Photographs curtesy of Diechtorhallen Hamburg.
“In the Heart of Another Country: The Diasporic Imagination Rises in Sharjah”, Sharjah Art Foundation, 2023. Curated by Omar Kholeif. Photographs by Sharjah Art Foundation.
“Assistants of the Void”, Galerie nächst St. Stephan, 2019. Curated by Adam Budak. Photographs by Galerie nächst St. Stephan.
“When Art Becomes Liberty”, Palace of Fine Arts, 2016. Curated by Hoor Al Qasimi, Salah Hassan, Nagla Samir, and Ehab El Labnan.
“When Art Becomes Liberty”, National Museum of Modern and Contemporary Art in Seoul, Korea, 2016. Organized by the Sharjah Art Foundation.
“Partisans of the Nude: An Arab Art Genre in an Era of Contest, 1920 - 1960”, Wallach Art Gallery, Columbia University in New York City. Curated by Kirsten Scheid. Oct 6, 2023 - Jan 14, 2024. Photograph curtesy of Wallach Art Gallery.